European Cinema after the Wall by Engelen Leen;Heuckelom Kris Van;
Author:Engelen, Leen;Heuckelom, Kris Van;
Language: eng
Format: epub
Tags: undefined
Publisher: Rowman & Littlefield Publishers
Published: 2012-08-15T00:00:00+00:00
Notes
Bibliography
Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.
Brown, William. âNegotiating the Invisible.â In Moving People, Moving Images: Cinema and Trafficking in the New Europe, edited by William Brown, Dina Iordanova, and Leshu Torchin, 16â48. Glasgow: St. Andrews Film Studies, 2010.
Bulley, Daniel. Ethics as Foreign Policy: Britain, the EU and the Other. London: Routledge, 2009.
Chilton, Paul, and Mikhail Ilyin. âMetaphor in Political Discourse: The Case of the âCommon European House.ââ Discourse and Society 4, no. 1 (January 1993): 7â31.
Dancus, Adriana Margareta. âDiasporic Feeling and Displaced Nostalgia: A Case Study: Import-eksport and BlodsbÃ¥nd.â Scandinavian Studies 83, no. 2 (Summer 2011): 247â66.
Friedberg, Anne. Window Shopping: Cinema and the Postmodern. Berkeley: University of California Press, 1993.
Galt, Rosalind. The New European Cinema: Redrawing the Map. New York: Columbia University Press, 2006.
Hashamova, Yana. Pride and Panic: Russian Imagination of the West in Post-Soviet Film. Bristol, UK: Intellect, 2007.
Hülsse, Rainer. âImagine the EU: The Metaphorical Construction of a Supra-nationalist Identity.â Journal of International Relations and Development 9, no. 4 (December 2006): 396â421.
Loshitzky, Yosefa. Screening Strangers: Migration and Diaspora in Contemporary European Cinema. Bloomington: Indiana University Press, 2010.
Madanipour, Ali. Public and Private Spaces of the City. London: Routledge, 2003.
Musolff, Andreas. Metaphor and Political Discourse: Analogical Reasoning in Debates about Europe. London: Palgrave Macmillan, 2004.
Naficy, Hamid. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, NJ: Princeton University Press, 2001.
Rydzewska, Joanna. âAmbiguity and Change: Post-2004 Polish Migration to the UK in Contemporary British Cinema.â Journal of Contemporary European Studies 20, no. 2 (June 2012): 215â27.
Schäffner, Christine. âBuilding a European House? Or at Two Speeds into a Dead End? Metaphors in the Debate on the United Europe.â In Conceiving of Europe: Unity in Diversity, edited by Andreas Musolff, Christine Schäffner, and Michael Townson, 31â59. Aldershot, UK: Dartmouth, 1996.
Shohat, Ella, and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge, 1995.
Sieg, Katrin. Choreographing the Global in European Cinema and Theater. New York: Palgrave Macmillan, 2008.
Van Heuckelom, Kris. âLondoners and Outlanders: Polish Labour Migration through the European Lens.â The Slavonic and East European Review 91, no. 2 (April 2013): 210â34.
âââ. âPolish (Im)Potence: Shifting Representations of Polish Labour Migration in Contemporary European Cinema.â In Contemporary Polish Migrant Culture in Germany, Ireland, and the UK, edited by Joanna Rostek and Dirk Uffelmann, 277â298. Frankfurt am Main: Peter Lang, 2011.
Wayne, Mike. The Politics of Contemporary European Cinema: Histories, Borders, Diasporas. Bristol, UK: Intellect Books, 2002.
1. William Brown, âNegotiating the Invisible,â 16â48.
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